Untitled Document

HighNote Catalog

Eric Alexander
"Alexander The Great"
HighNote Records HCD 7013

with Charles Earland, Hammond B-3; Peter Bernstein, guitar; James Rotondi, trumpet; Joe Farnsworth, drums

Tracks: Burner's Waltz; Let's Stay Together; God Bless The Child; Explosion; Through The Fire; Soft Wind; Born To Be Blue; Carrot Cake

Eric Alexander is one of those rare artists who can assimilate the best qualities and morph them into something uniquely their own. With the phrasing of Hank Mobley, Dexter Gordon's melodic sense, Sonny Stitt's rhythmic thrust and the harmonic subtlety of George Coleman, no wonder Eric is one of the busiest tenor-men on the scene today. Here, Eric employs his former boss, the Mighty Burner himself, Charles Earland on a cookin' session captured at the famed Van Gelder studio. Besides Earland, Eric is joined by the popular guitarist, Peter Bernstein, trumpet colleague James Rotondi and Joe Farnsworth on drums. Eric and the band show their all-encompassing musical proclivities by covering tunes as diverse as Al Green's "Let's Stay Together", Fletcher Henderson's "Soft Wind", Chaka Kahn's "Through the Fire" plus some hard-driving tunes by Eric and Peter Bernstein.

Ernie Andrews
"The Many Faces Of Ernie Andrews"
HighNote Records 7018

with Houston Person, tenor saxophone; Aaron Graves, piano; John Webber, bass; Kenny Washington, drums

Tracks: Some Enchanted Evening; If I Had You; From This Moment On Medley: Satin Doll - I Got It Bad - Take the "A" Train; Something I Dreamed Last NighT; Old Folks; Medley: Articulated Blues - Parker's Mood Over the Rainbow

Ernie Andrews is one of the top male vocalists/entertainers currently active on the jazz scene today. His unique style, formed in his early years with the Harry James Band, lends itself equally well to a small-combo setting, as on Ernie's current offering. Ernie's style is instantly recognizable, totally his own yet giving a sympathetic nod towards the great male jazz vocalists, such as Al Hibbler, et al. His personality is of a size commensurate with that of his talent and Ernie always has audiences on their feet and is a favorite with radio programmers nationwide.

Cindy Blackman
"Works On Canvas"
HighNote Records HCD 7024

with Cindy Blackman, dumrs; J.D. Allen, tenor saxophone; Carlton Holmes, keyboards; George Mitchell, bass

Tracks: Green Dolphin Street; Mudee Ya; My Isha; The Three Van Goghs - 1, 2 & 3; Spanish Colored Romance; Ballad Like; My Ship; April In Paris; Beautiful World; Sword Of The Painter

Cindy's first recording for HighNote ("In the Now", HCD 7024) was hailed by the critical press as her best record to date, crossing genre boundaries and winning Cindy a cover and substantial feature on a Dutch classical music magazine. This, her newest recording surpasses all her previous efforts in terms of instrumental technique, inspired composition and sheer visceral excitement. Joined by J.D. Allen, Carlton Holmes and George Mitchell, Cindy burns, wails, cooks, whispers and sighs through an imaginative program of standards ("Green Dolphin Street", "April in Paris") and original compositions by herself and her sidemen.

Cindy Blackman
"In The Now"
HighNote HCD 7024

with Ron Carter, Jacky Terrasson and Ravi Coltrane

Tracks: In The Now; A Banana For Ron; Passage; A King Among Men; Sophia; Prince of Darkness; Happy House; A Strawberry for Cindy; Let Love Rule

Cindy Blackman has established herself in an amazingly short period of time, as one of the most creative and talented jazz musicians/composers/drummers in the world today. Her records for the MUSE label garned laurel wreaths from the press and enthusiatic response from the jazz record-buying community. World-class Ron Carter, Jacky Terrasson and Ravi Coltrane join Cindy here making her first HighNote release a true all-star outing. Covering tunes by Ornette Coleman, Lenny Kravitz and Wayne Shorter, the band also joins Cindy on a few of her own imaginative compositions. Listen here

Don Byas
"Midnight At Minton's"
HighNote HCD7044

FEATURING THE EARLIEST RECORDED PERFORMANCES BY THELONIOUS MONK!

Tracks: Stardust; Exactly Like You; Uptown; Body and Soul; I Can't Give You Anything But Love; Indiana

The sessions recorded at the famed Harlem night spot, Minton's have become legendary as the incubator of Be Bop. Along with Don Byas, a major tenor player of the time, this recording features the young Thelonious Monk. In all of the Monk biographies, the Minton sessions are viewed as his emergence - the first glimmerings of the jazz giant he was to become. Also featured is the wonderful Helen Humes. Here is a bit of musical history as it actually happened. A true classic record, indispensable for jazz enthusiasts.

Larry Coryell
"New High"
HighNote Records HCD 7052

with Ronnie Mathews - piano; Mark Sherman - vibes; Buster Williams - bass; Yoron Israel - drums; Shunzo Ono - trumpet

Tracks: Spiral Staircase; New High; Funereal; John Charles; Bag's Groove; Old Folks; Like Sonny; Ursula

Well, contrary to what you've been told, lightning CAN strike twice, as is evidenced by Larry Coryell's latest release. Throughout this diverse career, Larry has put himself totally at the service of his music. "I am destined to be the eternal student, to continue developing my flow of ideas with my ability to flow with them...To listen to everything..." His new album, "New High," highlights Larry's uncanny ability to revisit jazz standards and imbue them with new life and ideas. This great session was recorded at the famed Van Gelder Studio and features Ronnie Mathews, Mark Sherman, Yoron Israel, and others. With his kaleidoscopic imagination and flawless technique, Larry Coryell is perhaps the best suited of today's artists to bring jazz guitar into the new millennium.

Larry Coryell
"Monk, Trane, Miles & Me"
HighNote Records HCD 7028

with John Hicks, piano; Santi Debriano, bass; Yoron Israel, drums; Willie Williams, tenor saxophone

Tracks: Alone Together; Star Eyes; Fairfield County Blues; Naima; Patience; Trinkle Tinkle; Almost a Waltz; Up Against the Wall; All Blues

Larry Coryell makes his HighNote debut with an All-Star line-up and pays tribute to the jazz giants who influenced him and helped him develop his unique jazz guitar style which has made him the touchstone against which all other jazz guitarists are measured. With the great John Hicks on piano, Yoron Israel laying down the foundation, the imaginative bass-ics of Santi Debriano, Larry pours some new wine into the old bottles with innovative takes on classic tunes by Monk, Trane, Miles and, of course, Larry Coryell.

Santi Debriano
"Circlechant"
HighNote Records HCD 7016

with Miri Ben-Ari, violin; Helio Alves, piano; Horacio "El Negro" Hernandez, drums; Altinho Anastacio, percussion

Tracks: Mano a Mano; Is That So; Prelude to a Cyclical Night; Cosa Otra; Noemi; Isfahan; Circlechant; Kiss; Dorian; Cubanola

Santi Debriano makeshis HighNote debut with his own special brand of thoughtful musicianship which displays why he has become one of the most popular bassists in jazz today. Santi has put together a well-planned program of original tunes ("Noemi", "Mano a Mano") classics ("Isfahan", Cubanola") and even a pop tune ("Kiss" by the Artist Formerly Known as 'Prince') which reflect his own personal philosophy of music and life. Featuring the Israeli-born violinist Miri Ben-Ari, the ensemble produces a vast spectrum of musical color with a special highlight being the inclusion of tango master Astor Piazzolla's wonderful tune, "Prelude to a Cyclical Night." Listen here

Joey DeFrancesco
"The Champ"
HighNote Records HCD 7032

with Randy Johnston, guitar; Billy Hart, drums

Tracks: The Champ; Mack the Knife; Whe Johnnie Come Marching Home; Lover Man; Organ Grinder's Swing; OGD; The Preacher; Walk On The Wild Side; The Cat

Joey DeFrancesco flexes his considerable B-3 muscles on this tribute to his patron saint of the Hammond, Jimmy Smith. Possessing a virtually flawless technique, Joey executes some of the most stupefying pyrotechnics you will ever hear on the keyboard while putting his awesome chops completely at the service of the music. The repertoire is drawn from Jimmy Smith classics with such favorites as "Mack the Knife," "The Preacher," "Walk on the Wild Side" and others. Showing an acute awareness of Smith's contribution to the jazz organ, Joey remains completely his own man while giving an affecionate nod of appreciation towards the older master. With Randy Johnston and Jimmy Smith's former drummer, Billy Hart, Joey produces what may well be the Jazz Organ Record of the Year. Listen here

Joey DeFrancesco & "Papa" John DeFrancesco
"All In The Family"
HighNote Records HCD 7021

with Bootsie Barnes, Houston Person, Melvin Sparks, Byron Landham

Tracks: Bag's Groove; Sunny; Slammin' at Slims; Those Were the Days (From "All In The Family"); My Buddy; Tuxedo Junction; Blues for Sweet Sue; The Saints Go Marchin' In

Dueling B-3's? Yeah, but this is one funky family feud. Joey and Dad "Papa" John invite you to their get-together at Rudy Van Gelder's place for some of the wildest B-3 jammin' you've ever heard. Also dukin' it out in the center of the ring are the two tenors of Houston Person and Bootsie Barnes. A must have!

Charles Earland
"Cookin' With The Mighty Burner"
HighNote Records HCD 7014

with Eric Alexander, tenor sax; James Rotondi, trumpet; Melvin Sparks, guitar; Bobby Durham, drums; Gary Fritz, percussion

Tracks: Milestones; Sister Sadie; Killer Joe; Seven Steps to Heaven; Will You Love Me Tomorrow; Five Blind Mice; Seven of Nine; Stella by Starlight

Charles Earland, "The Mighty Burner," is back in his kitchen and the result is a jazz feast of the highest order. Dominating the B-3 scene for over thirty years, Charles has selected a terrific program of some classic tunes - KILLER JOE, SISTER SADIE, SEVEN STEPS TO HEAVEN and two new Earland originals (Seven of Nine, Five Blind Mice). Charles has brought along his usual band of sous chefs - Eric Alexander, James Rotondi, the great Melvin Sparks, et al. and they all have a free hand with the spice! This is one hard-swinging session that certainly lives up to the description, "COOKIN' ". Recorded at the famed Van Gelder studio, nobody, but nobody captures the B-3 sound with the realism and depth that Rudy Van Gelder does.

Charles Earland
"Blowing The Blues Away"
HighNote Records HCD 7010

with Eric Alexander, James Rotundi, Bob De Vos, Greg Rockingham

Tracks: Blowing The Blues Away; Sweet Love; For The Love Of You; This Is The Day (The Lord Has Made); Dolphin Dance; Put It Where You Want It; Strollin'; Quicksilver

The hardest-swinging organ group in existence led by the hottest B-3 player anywhere, The Mighty Burner Charles Earland.

Teddy Edwards
"Midnight Creeper"
HighNite Records HCD 7011

with Teddy Edwards, Virgil Jones, Richard Wyands, Buster Williams, Chip White

Tracks: Midnight Creeper; Walking in the Rain; Sensitive; Lady Be Good; Don't Blame Me; Sunday; Tenderly; Almost Like Being in Love

Teddy Edwards is one of the greatest all-time tenor players alive today. Backed by the tough, can't-get-any-better rythm section of Richard Wyands, Buster Williams and Chip White, Teddy rises to the occasion with a relaxed, easy-swinging date - a seductive listening experience chock full of subtle treats burnished with the Van Gelder Studio sound. Listen here

Teddy Edwards & Houston Person
"Close Encounters"
HighNote Records HCD 7002

with Stan Hope, piano; Ray Drummond, bass; Kenny Washington, drums

Tracks: Twisted; Blue and Sentimental; Pennies From Heaven; Night Train; I Don't Stand a Ghost of a Chance; The Breeze and I; Little Girl Blue

Have a Close Encounter of the Jazz Kind with tenor icons Teddy Edwards and Houston Person! In the tradition of the great tenor sax battles of jazz history, we find that Houston and Teddy are more complimentary than confrontational. Their easy rapport, years of experience and great mutual respect produce a session of great warmth, humor, and perhaps most importantly, swing. Teddy's understated, subdued statements contrast nicely with Houston's big, 'happy-kid' sound on such great tunes as, THE BREEZE AND I, PENNIES FROM HEAVEN, BLUE AND SENTIMENTAL, GHOST OF A CHANCE and others. This Rudy Van Gelder recording is certain to receive major airplay.

Carlos Garnett
"Under Nubian Skies"
HighNote Records HCD 7023

with Russell Gunn, trumpet; Carlton Holmes, piano; Brad Jones, bass; Shingo Okudaira, drums

Tracks: Dancing Daffodils; Blues for John C.; My One and Only Love; Happy Children Song; What; Under Nubian Skies; Epitapher Zackerism; Down & Up Again

The incendiary tenor of Carlos Garnett burns through a set of original works and a Gershwin favorite on Carlos' newest, and probably best, record to date. Together with his regular band Carlos has invited Russell Gunn (see above) to play along on this gig and the musical sparks fly at this meeting of the veteran and the "young lion."

Carlos Garnett
"Fuego En Mi Alma"
HighNote Records HCD 7001

with Carlton Holmes, Brad Jones, Shingo Okudaira, Neil Clarke

Tracks: Fuego En Mi Alma (Fire In My Soul); Catch Me If You Can; Eternal Justice; Little Sunflower; U R D 1 4 Me; Love Thy Neighbor; Mystic Moon; Shalome

Coltrane-inspired with a Latin tinge, demonstrating his Panamanian heritage, Garnett is a creative improvisor and an innovative composer.

Russell Gunn
"Love Requiem"
HighNote Records HCD 7020

with Myron Walden/Mark Turner, saxophones; Greg Tardy, flute & sax; JamesHurt/Shedrick Mitchell, piano; Stefon Harris, vibes; Eric Revis, bass; Cindy Blackman, drums

Russell Gunn having already established himself as one of the finest young players in the jazz world today, here pushes the limits of jazz composition to the max. "Love Requiem" is a multi-movement suite which blurs the boundaries between jazz and other musical genres and offers new alternatives to the age-old problem of how a composer is to express himself in music. Surrounded by a sympathetic group of colleagues, including Stefon Harris, Mark Turner, Greg Tardy and the dynamic Cindy Blackman, Russell blazes into new jazz territory without looking back. An important, as well as enjoyable, record.

Russell Gunn
"Gunn Fu"
HighNote Records HCD 7003

with Greg Tardy, Sherman Irby, Stefon Harris, James Hurt, Eric Revis, Ali Jackson

Tracks: Gunn Fu; John Wicks; Solar; Invitation; The Search; Why Wonder Why?; The Final Call; Bern; Minor Sweet

Phenomenon, wunderkind, prodigy all describe the this young (25 years) trumpet genius Russell Gunn. In a program of originals by Russell and other members, this CD blazes new trails into the jazz forest and perhaps gives a glimpse of the direction jazz will take in the future.

John Hicks
"Nightwind - an Erroll Garner Songbook"
HighNote HCD 7035

Tracks:Tribute to EG; Misty; Paris Cries; Paris Lover; Nightwind; Left Bank Swing; Passing Through; Something Happens; Solitaire; It Gets Better Everytime; Dreamy

John Hicks is one of the true titans of the keyboard. In his latest HighNote Recording, he pays tribute to Erroll Garner by passing this music through the prism of his own interpretive genius, with the refracted light casting a unique glow on these hauntingly beautiful songs. Yes, the ever-present "Misty" is here, along with "Left Bank Swing". The main interest, however, is the seldom heard numbers, such as "Solitaire," "Paris Cries," "Passing Through," "Something Happens" and the title track, "Nightwind." John's Billy Strayhorn Songbook (HCD 7019) was a big hit with radio, reviewers and public alike. This record, documenting the work of one of America's greatest unsung composers, has a ready and waiting audience.

John Hicks
"Something To Live For"
HighNote Records HCD 7019

with Dwayne Dolphin, bass; Cecil Brooks III, drums

Tracks: Something to Live For; Daydream; Medley: Lotus / Blossom; Blood Count; A Flower Is a Lovesome Thing; Chelsea Bridge; Lush Life; UMMG (Upper Manhattan Medical Group); Minor Blues; Passion Flower; Satin Doll; Summary

John Hicks is one of the real heavy-hitters of the keyboard, ranking right up there with the likes of Kenny Barron, Mulgrew Miller, et al. Here John has put together a unique program of music by Billy Strayhorn, sometimes known as "Duke Ellington's alter-ego." John's imagination and technique are given free-reign in this trio setting and he lavishes insight on tunes both familiar and seldom-heard. Dwayne Dolphin and Cecil Brooks III add a spectrum of color to this repertoire, which may be the most sensitive and deeply-felt literature in jazz/popular music.

Red Holloway
"In The Red"
HighNote Records HCD 7022

with Norman Simmons, Peter Washington, Kenny Washington

Tracks: The Chase; In My Solitude; Snu-Fu; The Gypsy; Claudia; Watermelon Man; A Tear In My Heart; Rapture

Red Holloway went into the Van Gelder Studios and came out with one of the hottest tenor quartet recordings in a long time. Coming out of Chicago, when the tenor was king, Red has the best qualities of two other Windy City tenor-men: he combines the big tone of Gene Ammons and the whirlwind execution of Johnny Griffin. Backed by the unbeatable rhythm section of Norman Simmons, Peter Washington and Kenny Washington, Red wails through jazz classics by Harold Land, Duke Ellington, Dexter Gordon and Herbie Hancock as well as a couple of originals by himself and pianist Simmons. Listen here

Randy Johnson
"Somewhere In The Night"
HighNote HCD 7007

with Uri Cane, Nat Reeves, Mickey Roker

Tracks: Dat Dere; I Wish I Knew How It Would Feel To Be Free; Secret Love; The End Of A Beautiful Friendship; Sack Of Woe; Somewhere In The Night; Blues For The Millenium; Third Time Around; In The Wee Small Hours Of The Morning; Secret Love

Every new recording by guitarist Randy Johnston inspires in the listener a sense of wonder and surprise at what an incredible player he is. He sings, he's blue, his flow of ideas and consummate taste make him one of the very best around.

Etta Jones
"All The Way - Etta Jones Sings Sammy Cahn"
HighNote Records 7047

with Houston Person, tenor saxophone; Russell Malone, guitar; Steve Turre, trombone; Tom Aalfs, violin; Norman Simmons, piano; John Webber, bass; Kenny Washington, drums

Tracks: It's Magic; Second Time Around Until the Real Thing Comes Along; I Should Care; I'll Walk Alone; Saturday Night; All the Way; It's You Or No One; It's Been a Long, Long Time; Put 'Em in a Box

Grammy Nominee Etta Jones stepped in front of the microphone again with a batch of tunes by the American songsmith Sammy Cahn under her arm. Along with her long-time friend and collaborator, Houston Person, Etta is backed by the sensitive piano of Norman Simmons, the guitar of Russell Malone and, adding a unique spectrum of color to the record, Tom Aalfs on violin and Steve Turre on trombone. Of course, the most popular songs by "King Cahn" are here, including "Until the Real Thing Comes Along," "It's Magic," and "All the Way." Etta also offers the rarely-heard "Put 'em in a Box" and "Saturday Night is the Loneliest Night of the Week," a tune which once flooded the airwaves but now, inexplicably, is heard only occasionally. You haven't heard the Sammy Cahn songbook until you've heard it according to Etta Jones!

Etta Jones
"My Buddy - Sings The Songs Of Buddy Johnson"
HighNote Records HCD 7026

with Houston Person, Norman Simmons, John Webber, and Kenny Washington

When My Man Comes Home; They All Say; I'm the Biggest Fool; Save Your Love For Me; Let's Beat Out Some Love; Since I Fell For You; Baby I'm Yours; Fine Brown Frame; I Wonder Where Our Love Has Gone; Please Mr. Johnson; Hittin' On Me

Buddy Johnson (1915-1977) is one of the true unsung heroes of jazz. Enjoying immense popularity in his time, after his death most of his songs and recordings were scandalously overlooked. Some of his songs are beloved standards of the American Popular Music repertoire ("Since I Fell For You", "Save Your Love For Me") others have not been heard since their initial recordings. The magnificent Etta Jones pays tribute to the songs of her mentor and former boss in the first album devoted exclusively to his music. Houston Person and Norman Simmons are also on hand. Rare repertoire and haunting performances by Ms. Jones make this the jewel in the crown of her already impressive discography. Listen here

Etta Jones
"The Melody Lingers On"
HighNote Records HCD 7007

with Tom Aalf, Dick Morgan, Keeter Betts, Frankie Jones

Tracks: Somewhere In My Lifetime; A-Tisket, A-Tasket; For Sentimental Reasons; What A Wonderful World; What A Difference A Days Makes; I Cover The Waterfront; Mr. Bojangles; I Apologize; I'm Having A Good Time; Misty

Backed by a first-class ensemble of musicians, lead by the ubiquitous Houston Person, Etta sings with a sincerity and sense of lyricism which is unparalleled on today's jazz vocal scene.

Sheila Jordan
"Jazz Child"
HighNote Records HCD 7029

with Steve Kuhn, piano; David Finck, bass; Billy Drummond, drums; Special Guest: Theo Bleckmann, vocals

Tracks: Jazz Child; The Moon is a Harsh Mistress; Reel Time; Art Deco (Art of Don); The Zoo; My Ship; Oh Henry; Bird Alone; Ballad for Miles/My Funny Valentine; Buffalo Wings (My Favorite Recipe); Everything Happens To Me; Everytime We Say Goodbye/For All We Know; Jazz Child

Sheila Jordan is one of the world's leading exponents of vocal improvisation. Not content to sing the same well- planned 'improvisation' on a tune night after night, Sheila's skill at extemporizing makes each performance something new and truly exciting. Charlie Parker himself was a fan of Sheila's, admiring her unique way of reshaping lines and her soulful identification with every word. Now, after a five-year recording hiatus, Sheila is back on CD and she has selected a program of pop standards and Be-Bop classics by the likes of Don Cherry, Ernie Henry, Jimmy Webb, Rodgers & Hart and others. With sensitive backing by the Steve Kuhn Trio, Sheila shows once again why she is a member of the Royal Family of Jazz Vocalists. Listen here

Gloria Lynne
"This One's On Me"
HighNote Records HCD 7015

with Mike Renzi, Bobby Forrester, Mark Sherman, Rodney Jones, Ben Brown, Akira Tana, Jesse "Cheese" Hameen II

Tracks: This One's On Me; Angel Eyes; What a Difference a Day Makes; In The Wee Small Hours Of The Morning; It's Autumn; While We're Young; Here's That Rainy Day; Snowbound; Let's Fall In Love; Wild Is Love; All Day Long

The great Gloria Lynne, on her best record in years, doing what Gloria Lynne does best - singing a fine selection of standards and putting her own unique stamp on each one. Featuring arrangements and guitar work by Rodney Jones, music director of the Rosie O'Donnell Show.

Mark Murphy
"Some TIme Ago"
HighNote HCD 7048

Lee Musiker - piano/arr; Allan Mezquida - alto sax; Dave Ballou - trumpet; Steve LaSpina/Sean Smith - bass; Winard Harper - drums

Tunes: You're My Alter Ego; Peacocks ; There's No More Blue Time; Old Black Magic; Bohemia After Dark; With Every Breath I Take; Life's Mosaic; Some Time Ago; Why Was I Born / I'm a Fool to Want You

The list of singers who hang out the shingle bearing the claim "Jazz Singer" is a long one indeed. It is cut down to size, however, when you include those vocalists who truly improvise their performances, those who take the risk of spontaneous extemporization. At the top of this list certainly sits Mark Murphy who, together perhaps with only Sheila Jordan, is a true improvising/vocalist/musician. Back in the studio for his long-time friend Joe Fields for the first time since their days with MUSE Records, Mark is in fine fettle and turns his attentions to pop standards ( "Old Black Magic", "Why Was I Born"), as well as jazz classics (Jimmy Rowles "Peacocks", Cedar Walton's "Life's Mosaic"). When the jury reconvenes on Mark Murphy, he will stand as one of the most influential and talented vocalists in jazz and "Some Time Ago" may just be his finest recording.

David 'Fathead' Newman
"Chillin'"
HighNote Records HCD 7036

with Bryan Carrot, vibes; John Hicks, piano; Steve Novosell, bass; Winard Harper, drums; Cadino Newman, vocals

Tracks: Take the Coltrane Return to Paradise The Whole Tzimmes These Foolish Things Invitation Chillin' Caravan Red Top

For years the tenor saxophone player of choice for Ray Charles and instrumental in defining the singer's unmistakable style, David 'Fathead' Newman makes his HighNote Records debut. Called 'Fathead" for his voluminous knowledge of music, David possesses a soulful Texas horn sound, expressive and heart-felt. David's musical vocabulary is "of the moment" without resorting to the type of "out there" playing which alienates so many listeners. With a wide spectrum of music, from Dimitri Tiomkin's lush "Return to Paradise" to Hamp's "Red Top" to standards like "These Foolish Things," Newman communicates through his music, speaking directly to the listener. In addition to Fathead's reed work, including turns on flute, soprano, alto and tenor, the album boasts fine contributions from John Hicks on piano and Winard Harper on drums..

Hot Lips Page
"After Hours In Harlem"
HighNote Records HCD 7031

Tracks: I Got Rhythm; I’m in the Mood For Love; Dinah; Tea for Two; I’ve Found a New Baby; Sweet Georgia Brown; Old Yazoo; Topsy ; Konk

Hot Lips Page personified the jam session. Recorded in live settings by Jerry Newman, these 1940-41tracks contain the very earliest recordings by Thelonious Monk. Musical history in the making, documenting the evolution of great jazzmen. Unfettered, after-hours jazz from the undisputed masters.

Houston Person
"Soft Lights"
HighNote HCD 7049

with Richard Wyands, Russell Malone, Ray Drummond and Grady Tate

Tracks:Here's That Rainy Day; I Only Have Eyes For You; It Might As Well Be Spring; Do Nothing Till You Hear From Me; At Last; The Night We Called It a Day; It Shouldn't Happen to a Dream; I'll Be Around; Hey There!; If

Well, contrary to what you've been told, lightning CAN strike twice, as is evidenced by HOUSTON PERSON's latest release. Hot on the heels of his super-successful, "MY ROMANCE" (HCD 7033), Houston brings together a winning team of players in the famed Rudy Van Gelder Studio. Richard Wyands is on hand at the keyboard and guitar great Russell Malone joins the top-flight rhythm section of Ray Drummond and Grady Tate. Great tunes ("The Night We Called It a Day," "At Last," "It Shouldn't Happen to a Dream" & others), and the full, rich tenor sound of Houston Person virtually guarantee major radio play at all key time slots. As one radio veteran said about "My Romance": "This isn't 'smooth jazz,' this is real jazz; it's real smooth jazz."

Houston Person
"My Romance"
HighNote HCD 7033

with Richard Wyands, piano; Ray Drummond, bass; Kenny Washington, drums

Tracks: But Beautiful; Blue Moon; The Very Thought of You; Mean To Me; My Romance; Stairway To the Stars; Love Is Here To Stay; Time After Time

The popular tenor saxophonist Houston Person is sure to generate sales with this, his newest, recording of classic American ballads. With an all-star trio of Richard Wyands, Ray Drummond and Kenny Washington backing him up, Houston's big-toned tenor seems perfectly suited for this repertoire of the finest melodies. Houston tours both domestically and internationally and this recording, in particular, will garner huge amounts of radio airplay, both late-night and at peak hours, such. Destined to be Houston's biggest-seller, this will be snatched-up quickly by his legion of devoted fans.

Houston Person
"Person-ified"
HighNote Records HCD 7004

with Richard Wyands, Ray Drummond, Kenny Washington

Tracks: You're My Everything; I'll Never Stop Loving You; There's A Small Hotel; Stranger On The Shore; Isn't It Romantic?; Detour Ahead; Gentle Rain; In The Wee Small Hours Of The Morning; Blue Jug; May The Good Lord Bless And Keep You

The music on this recording can be said to personify Houston Person and the type of music enjoys playing the most. Houston's impeccable taste is evident in every bar and his sense of swing is something to marvel at.

Jimmy Ponder
"Ain't Misbehavin'"
HighNote HCD 7041

with Don Braden - tenor sax; John Hicks - piano; Dwayne Dolphin - bass; Cecil Brooks III - drums

Tracks: On Broadway • Sunny • I’ll Remember April • Who Can I Turn To • Three Little Words • My One and Only Love • Summertime • The Man Ain’t Got No Thing On Me • Wave • All Blues • Ain’t Misbehavin’

Put Pittsburgh guitarist Jimmy Ponder in a recording studio and he acts like a magnet for the best names in jazz. Surrounded by the likes of Don Braden, John Hicks, Dwayne Dolphin and Cecil Brooks III, Ponder and the band swing (“Three Little Words), dream (”I’ll Remember April”), groove (“The Man Ain't Got No Thing on Me”) and bossa (“Wave”) through the session in great style. Jimmy’ latest record combines the excitement of a club date with the control of the studio and shows why the Pittsburgh Post Gazette hailed Jimmy Ponder as “the Segovia of Jazz!”

Jimmy Ponder
"James Street"
HighNote Records HCD 7017

with Jimmy Ponder, John Hicks, Dwayne Dolphin, Cecil Brooks III

Tracks: JP; They Can't Take that Away from Me; September Song; God Bless the Child; James Street; Love Theme from 'Spartacus'; My One and Only Love; The End of a Beautiful Friendship; In a Sentimental Mood; Mr. Magic; NYC

Suave, swinging, sublime and contemporary-sounding , including a great mix of standards (My One and Only Love, they Can’t Take That Away From Me), jazz classics (Love Theme from ‘Spartacus,’ Mr. Magic) and three new Ponder originals, this session finds Ponder still rooted in the good earth of straight-ahead blues and the after-hours groove. As prolific as Jimmy has been, all those who hear this record agree—this is his best effort to date. Listen here

James Spaulding
"Escapade"
HighNote Records HCD 7039

with James Spaulding - alto saxophone, flute, bass flute; John Hicks - piano; Don Sickler - trumpet, flugelhorn; Ray Drummond - bass; Kenny Washington - drums

Tracks: Escapade; Cheesecake; Warm Valley; Madeline; Just One of Those Things; Grant's Tune; High Modes; Break Through; It Could Happen to You; La Mesha

James Spaulding, a veteran of the musical organizations of Freddie Hubbard, McCoy Tyner, David Murray and the Sun Ra Arkestra, leads an all-star session from Rudy Van Gelder's place on his newest HighNote record. With John Hicks on piano, Don Sickler on trumpet/flugel and Ray Drummond and Kenny Washington sitting in on bass and drums, respectively, James lends color and an exotic timbre by featuring not only his alto sax and flute, but the seldom-seen bass flute as well. Tunes by Hank Mobley, Grant Green, Dexter Gordon, Kenny Dorham and others bring out the imaginative best from the players. A record for those with a fondness for truly musical jazz, full of unique sounds and ideas.

James Spaulding
"The Smile Of The Snake"
HighNote Records HCD 7006

with Richard Wyands, Ron McClure, Tony Reedus

Tracks: Third Avenue; Serenity; The Smile Of The Snake; Lenora; Tonight Only; Premonition; Yes It Is; Panchito; Love Is Not A Dream; Havana Days (Cuba 1954)

Called by Lloyd Sachs of the Chicago Sun-Times, "The album Spaulding's loyal fans have been waiting for," The Smile of the Snake is undoubtedly James Spaulding's finest album to date.

Dakota Staton
"A Packet Of Love Letters"
HighNote Records HCD 7008

with Houston Person, tenor saxophone; Aaron Graves, piano; Melvin Sparks, guitar; Nat Reeves, bass; Percy Smith, drums

Tracks:More Than You Know; Remember; Too Late Now; What Now My Love?; Trav'lin Light; Night Life; The Way You Look Tonight; Guess Who; You'd Better Love Me

If ever a singer epitomized the glamour, class and regal qualities of the "jazz vocalist," it is the first lady of jazz vocals, Dakota Staton. Dakota's mega-hit LP, "The Late, Late Show," could be found on virtually every turntable in America at the time of its initial release, and remains a consistent seller. Her legion of fans will pounce on this, her first recording in a number of years. Merging the vocabulary of jazz, blues and R&B into a unique and expressive language of her own, Dakota is in fine fettle and lends her talents to a set of standards including, TRAV'LIN' LIGHT, MORE THAN YOU KNOW, NIGHT LIFE, YOU'D BETTER LOVE ME and others. With Melvin Sparks, Aaron Graves, Houston Person and others.

Art Tatum
"God Is In The House"
HighNote HCD 7030

Tracks: Georgia On My Mind; Beautiful Love; Laughing at Life; Sweet Lorraine; Fine and Dandy; Begin the Beguine; Mighty Lak a Rose; Knockin' Myself Out; Toledo Blues; Body and Soul; There'll Be Some Changes Made; Lady Be Good; Sweet Georgia Brown

"...one of the most remarkable pieces of improvised jazz music ever captured by a recording device." -- Dan Morgenstern There's a lot of Tatum out there, but nothing like this!! Art Tatum "live", playing for his friends and colleagues - More imaginative, more technically astonishing than he ever was in the studio. A DOUBLE GRAMMY WINNER - Best Jazz Performance by a Soloist & Best Liner Notes. First time on CD!

Lucky Thompson
"Lucky In Paris"
HighNote Records HCD 7045

Tracks: How About You; Midnight Sun; Pennies From Heaven; Solitude; Have You Met Miss Jones; We'll Be Together Again; Soul Food; The Ow; Brother Bob

Lucky Thompson is a truly great tenor saxophonist who ranked high on jazz cognoscenti's lists from the 40's through the 50's. An enigmatic figure in the history of Jazz, Lucky Thompson disappeared from the music scene at the peak of his powers and is still living, whereabouts unkown. His records today are rare items indeed, and this unique recording has been completely unavailable since its initial release in France in 1959, where it was a domestic issue only and was NEVER available internationally. An extraordinary back-up group features Martial Solal, perhaps the most original jazz pianist to come out of Europe. The interplay between Solal and Lucky Thompson raises the level of this recording to the sublime. A must-have for anyone even casually interested in great tenor players.

Fats Waller
"Fine Arabian Stuff"
HighNote HCD 7053

Fats Waller was a blazing star, one of the very few besides Louis Armstrong and Benny Goodman who could guarantee a packed house, a large radio audience or a hit record in 1930s and 1940s jazz. He wrote two of the most durable songs in American music, "Ain't Misbehavin'" and "Honeysuckle Rose", as well as other gems such as "Squeeze Me," "I've Got a Feeling I'm Falling," "Black and Blue" and "The Jitterbug Waltz." In addition, he was one helluva piano player. HighNote offers a selection of rare, unsaturated Fats playing and singing at the piano and even a few organ solos thrown in (could Fats Waller be the first great jazz organist, spawning the likes of Jimmy Smith, Don Patterson, Charles Earland and others?). Fats was at the peak of his powers and his popularity when these recordings were made in 1939. Unavailable in any format since 1979, "Fine Arabian Stuff" is an important addition to the discography of one of the most beloved figures in jazz history.

Lester Young
"Pres In Europe"
HighNote HCD 7054

Tracks: Lester Leaps In; These Foolish Things; There Will Never Be Another You; Lester's European Blues; Lullaby of Bridland; Polka Dots and Moonbeams; Lester Leaps In

More recordings from the closely guarded vaults of the legendary Onyx Records (see HighNote's previous releases by Art Tatum, Don Byas, Hot Lips Page and Lucky Thompson). PRES IN EUROPE features two unforgettable sets of late Lester circa 1956 (the year of the great recording, Jazz Giants of 1956) when Pres' playing was at its most communicative and introverted. Here he shines on a selection of standards and two of his signature tunes, "Lester Leaps In" and "Lester's European Blues". These recordings have been unavailable since their initial release on LP in 1973 and have been completely remastered and presented in the best possible sound with newly updated and exhaustive liner notes by Dan Morgenstern.

Wesla Whitfield
"With A Song In My Heart - Sings the Words and Music of Lorenz Hart and Richard Rodgers"
HighNote Records HCD 7040

Tracks:With a Song in my Heart; Spring is Here; Blue Moon; It's Easy to Remember; This Can't Be Love; Little Girl Blue; Manhattan; My Romance / Johnny One Note; You Are Too Beautiful; Thou Swell; He Was Too Good to Me; The Lady is a Tramp; Ten Cents a Dance; Glad to Be Unhappy; You Took Advantage of Me; A Ship Without a Sail; I Didn't Know What Time It Was; You're Nearer

Wesla Whitfield, called "one of the finest masters of popular singing" by the Los Angeles Times, turns her prodigious talents to the phenomenal body of work by the team of Rodgers and Hart. Perhaps no other songwriting team caught the perfect balance between words and music as did Rodgers and Hart. Wesla's (to quote the Chicago Tribune) "lovely instrument, sure technique, novel way with a phrase and deep understanding of lyrics" breathe new meaning into these gems of The Great American Songbook. Favorites like "You Took Advantage of Me," "Thou Swell" and "Easy to Remember" rub elbows with seldom-heard jewels such as "You're Nearer," "He Was Too Good to Me" and others. You haven't really heard Rodgers and Hart until you've heard their tunes given the Wesla Whitfield treatment.

Wesla Whitfield
"High Standards"
HighNote Records HCD 7025

with The Mike Greensill Trio

Tracks: From This Moment On; I Didn't Know What Time It Was; Don't Explain; Just One Of Those Things; Where Are You?; My Favorite Things; Exactly Like You; Ev'rything I Love; How High The Moon; Don't Take Your Love From Me; Let's Do It; Ev'ry Time We Say Goodbye

"A lovely instrument, a sure technique, a novel way with a phrase, a deep understanding of lyrics -- these elements rarely come together in a single vocalist...as they did when Wesla Whitfield made her Chicago debut." --Chicago Tribune

"My idea of the best of all possible musical experiences might well be singer Wesla Whitfield. She has become her generation's best singer." -- San Francisco Examiner

Wesla Whitfield
"Teach Me Tonight"
HighNote HCD 7009

with Mike Greensill, Noel Jewkes, Michael Moore, Joe LaBarbera

Tracks: It's A Most Unusual Day; I've Heard That Song Before; Almost Like Being In Love; Teach Me Tonight; Pick Yourself Up; Don't Worry 'Bout Me; I Fall In Love Too Easily; I Double Dare You; It Ain't Necessarily So; When You Wish Upon A Star; I Wish I Were In Love Again; All My Tomorrows; Just In Time; Until The Real Thing Comes Along; I Should Care

Mid-Line Titles

Jazz Compilation - Midline Price
"Jazz That's Easy"
HighNote Records HCD 6001

Tracks:I Ain't Gonna Let You Break My Heart Again; Lush Life; You Don't Know What Love Is; Star Eyes; Can't Help Lovin' That Man; Emptiness; Here's That Rainy Day; Dolphin Dance; Tenderly; Wonderful World; Secrets

Why must things always be so complicated? Tax forms, VCR programming, computer languages, 401Ks, legal jargon. Life is difficult enough. It is time to return to the simple things - the things that make life easy. Ideas expressed simply and concisely, a minimum of moving parts. This is a compilation for people who want to take life, and their jazz, easy. Nothing jarring, no unnecessary complexities - music that soothes the senses and goes directly to the heart.

Jazz Compilation - Midline Price
"Jazz That Cooks"
HighNote Records HCD 6002

Tracks:Slammin' At Slims; Blues For the Millennium; Sweet Sucker; James Street; Put It Where You Want It; Big Fat Daddy; Midnight Creeper; One Eyed Man; Snu-Fu

When asked by a society matron what swing was, Fats Waller replied, "Lady, if you has to ask - you ain't got it." What he was saying was that swing cannot be defined. It is that indefinable something, that momentum and drive that some have and some don't. This CD has it in abundance. It is slammin'. It is foot stompin'. It is all that you listen to jazz for in the first place...Uplifting. Happy. Cookin'!